Brett Flanigan approaches the work in this series by reflecting on a specific place or experience, and responding to this meditation by laying down a framework of color and composition that portrays the feeling of each. Utilizing this substructure, he continues his exploration of systems through pattern, probability, logic or repetition. These systems are a way for the artist to navigate a series of informed decisions that result in unpredictable outcomes. Flanigan holds a degree in Biology from the University of California, Santa Barbara. He works primarily in painting and sculpture. His work has been exhibited throughout the US, as well as internationally. Flanigan has also completed a number of public artworks, including a mural at the Lilley Museum at the University of Nevada, Reno, and a large scale public sculpture in downtown Oakland. Flanigan lives and works in Oakland, CA.
Read MorePRESS RELEASES
pt. 2: Oakland is pleased to present Elements Of..., a group exhibition by Angela Hennessy and Christopher Martin, curated by Adrian Octavius Walker. The works in this show contend with universal experiences - life, death, love, belonging - mediated through Blackness; as a personal and lived experience, as a part of an ancestral lineage, and as a historical construction. Hennessy fuses European and African mourning rituals using hair. Martin subverts traditional tattoo flash images to simultaneously satirize and interrogate slavery, segregation, and white supremacy. Read more after the jump!
Read Morept. 2: Oakland is pleased to present Self Reliance, a solo exhibition by Lenworth “Joonbug” McIntosh. Internal dialogue can lead us to grow or create cognitive dissonance. What we believe to be wrong can be right and vice versa. The process of creation is just as important as the thing created. Unlearning and relearning. Acceptance. A fascination with something that seems new, but really isn’t. Read more after the jump.
Read Morept. 2: Oakland is pleased to present We Matter, a solo exhibition of photographs by Adrian Octavius Walker. Walker’s work explores Black American beauty traditions among Black men. The intimacy depicted in each photograph erases the possibility of threat often assigned to black men and instead pushes the viewer to see the power of kinship within the Black community. Walker seeks to expand notions of Blackness by challenging the American perception of Black men. Read more after the jump.
Read MoreOften beginning with photos of discarded furniture she’s encountered on the street, Lonsdale uses her brush to deconstruct and reshape the photographed images into anthropomorphic paintings of genderless human-like forms in domestic settings or semi-erotically engaged. Using bright yet gentle colors in oil paint and aerosol, Lonsdale explores gender roles and sexuality, employing domestic context and furniture both as metaphor and as literal extensions of the figures. Learn more about Tahnee in the interview after the jump.
Read Morept. 2: LA is pleased to present A Garden or A Grave, an exhibition of new works by Brett Flanigan and Ellen Rutt. A Garden or A Grave, the exhibition's title, posits a framework in which to question the future of our planet in the era of ecological collapse and climate change. A grave, a place for decomposition, with time becomes a garden. Learn more after the jump.
Read Morept. 2: Oakland is pleased to present “At and Past”, a group exhibition by John Gnorski, JP McNicholas, Olivia Nevins-Carbins, and Sylvia Fragoso. All of the pieces in the show have some kind of lattice work, whether literal in Olivia Nevins-Carbins gates or visual in the case of JP McNicholas’ trees and bushes. John Gnorski’s sculptures create a similar latticework effect and Sylvia Fragoso’s sculptures are lattice-like in construction as well as being highly religious which brings to mind the screen you'd find in a confessional. Learn more after the jump!
Read MoreStarting with stories by, of, and for family members, Saif Azzuz (b. 1987) constructs spaces utilizing colorful ink and acrylic paint on tapestry-like canvas imbuing the work with the washy luminosity and gentle disquiet of dreams. Through self-defined symbolism communicating ideas such as movement, energy and time, Azzuz works to acknowledge and validate generational trauma, resilience, land, and story. Learn more about Saif in the interview after the jump.
Read Morept. 2: Oakland is pleased to present Dad taught me to tie knots, mum, the names of flowers, a solo exhibition of paintings by Tahnee Lonsdale. Often beginning with photos of discarded furniture she’s encountered on the street, Lonsdale uses her brush to deconstruct and reshape the photographed images into anthropomorphic paintings of genderless human-like forms in domestic settings or semi-erotically engaged. Learn more after the jump.
Read MoreAdam Alessi
Alyss Estay
Ethan Stuart
Kellen Chasuk
Maria Guzman Capron
Molly Bounds
Nadair Asghari
Rachel Hayden
Samantha Rosenwald
Daisy Parris
Jesse Littlefield
Nico Stone
Sebastian Helling
pt. 2: Oakland is pleased to present wes’onah, a solo exhibition of paintings by Saif Azzuz. Starting with stories by, of, and for family members, Azzuz constructs imagined spaces utilizing colorful ink and acrylic paint on tapestry-like canvas imbuing the work with the washy luminosity and gentle disquiet of dreams.
Read Morept.2 is pleased to present a group show by Benn Quinn, Caleb Hahne, Lena Gustafson, Liz Hernández, Maria Paz, Paige Valentine, Ryan Whelan, and Sam Spano. Much of the work presented in this show addresses place, home, and belonging through quotidian themes; details of the natural world, food, memory, human interaction, daily tasks, and a search for beauty in uncertain times.
Read Morept. 2: Oakland is pleased to present Chroma, a solo exhibition of painting and sculpture by Kelly Ording. Through both process and subject, the artist explores the tension between seemingly opposite concepts - intuition and intention, representation and abstraction, surrender and control. Learn more after the jump.
Read Morept.2 is excited to present “Wandering Players” a solo exhibition by Delphine Hennelly opening Saturday, October 12th in Downtown Oakland. The exhibition will feature a new series of paintings by the New York based artist. Read more after the jump.
Read Morept.2 is happy to present “Back In Our Minds” a solo exhibition by Ben Quinn opening Saturday, October 12th in Downtown Oakland. The exhibition will feature a new series of paintings, sculptures, and installation by Los Angeles based artist. Learn more after the jump.
Read Morept.2 Gallery is happy to present “Nightmares In The Break Room” a solo exhibition by artist Robert Falco opening Saturday, September 14th in Downtown Oakland. Also opening that night is “There Is Know Circle” a solo exhibition by Jean Nagai and a group exhibition curated by Jean called “Some Kind Of Texture” featuring the works of Chito K.K., Greg Shimada, Johanna Jackson, Jordan Ann Craig, Lilah Slager Rose, Markus Mazza, Phoebe Rose, Rhiannon Griego. Learn more after the jump.
Read Morept.2 Gallery is excited to present “There Is Know Center” a solo exhibition by Jean Nagai opening Saturday, September 14th in Downtown Oakland. Read more after the jump.
Read Morept.2 Gallery is excited to announce the representation of Oakland based artist Adrian Octavius Walker, whom’s latest body of work “We Matter” opens Friday, August 30th at The Greens in Columbia, Missouri. Adrian O. Walker’s new body of work explores Black American beauty traditions among Black men. The intimacy that Walker depicts in each photograph erases the possibility of threat often assigned to black men and instead pushes the viewer to see the power of kinship within the Black community. Read more after the jump.
Read Morept.2 would like to thank everyone that made it out this past Saturday for the opening reception of “Sun Sick” a solo exhibition by Cannon Dill, “Call It What You Want” a solo exhibition by Kellen Chasuk, and “August Group Exhibition” a group exhibition curated by Cannon Dill and Kellen Chasuk. Read more after the jump.
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